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This was the first exhibition held by cultureclub.
With the cooperation of “Suigenkyo,” which covers the production process of traditional crafts in various regions of Japan and communicates the charm of tradition and culture to the world, we explored a new approach with traditional craftspeople.
For this exhibition, we interviewed traditional craftspeople who work with ikkan-bari, lacquer, and bamboo, and asked them about their knowledge and skills, and presented them with the concept of "A little more like in your daily life. The works were created based on the concept of “adding a bit of ‘like’ to everyday life,” with the aim of bringing these traditional crafts back to the center of daily life and culture.
With the cooperation of “Suigenkyo,” which covers the production process of traditional crafts in various regions of Japan and communicates the charm of tradition and culture to the world, we explored a new approach with traditional craftspeople.
For this exhibition, we interviewed traditional craftspeople who work with ikkan-bari, lacquer, and bamboo, and asked them about their knowledge and skills, and presented them with the concept of "A little more like in your daily life. The works were created based on the concept of “adding a bit of ‘like’ to everyday life,” with the aim of bringing these traditional crafts back to the center of daily life and culture.
日常の合理化が進む中、身の回りのモノに心を寄せることは少なくなった気がする。
見慣れたかたちや手触りは、次第に意識の外へと追いやられ、存在は背景と化していく。
本展では、そうしたモノに改めて向き合い、「輪郭を捉える」という視点から、
素材の構造や表情に目を凝らした。
和紙を貼り重ねる〈一閑張〉という伝統技法を用い、質感や記号性を覆い隠すことで、
かたちの本質を立ち上げる。
有り触れたモノを見つめ直す新たな視点とその魅力に迫った。
見慣れたかたちや手触りは、次第に意識の外へと追いやられ、存在は背景と化していく。
本展では、そうしたモノに改めて向き合い、「輪郭を捉える」という視点から、
素材の構造や表情に目を凝らした。
和紙を貼り重ねる〈一閑張〉という伝統技法を用い、質感や記号性を覆い隠すことで、
かたちの本質を立ち上げる。
有り触れたモノを見つめ直す新たな視点とその魅力に迫った。
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